Thomas Hirschhorn: Stand-alone


Solo Exhibition | Oct. 16-Dec. 16, 2016

This is a past exhibition.

 

TMR presents the US debut of one of Thomas Hirschhorn’s iconic large-scale spatial collages. Staged to coincide with the 2016 US Presidential election, this work explores love, politics, aesthetics, and philosophy and asks viewers the same questions the artist asks of himself: Where do you stand? What do you want? This is Thomas Hirschhorn’s first institutional solo show in LA.

About the Exhibition.

TMR is pleased to present Thomas Hirschhorn: Stand-alone, the internationally renowned Swiss artist’s first solo project in Los Angeles. Produced in collaboration with the Coppel Collection in Mexico, the exhibition will feature one of Hirschhorn’s large-scale spatial collages that will transform TMR’s gallery space into an immersive environment. Stand-alone was created in 2007 and presented in Berlin that same year. It was subsequently acquired by the Coppel Collection and exhibited at the Tamayo Museum in Mexico City in 2008. This will be the first time the work is presented in the US.

Stand-alone encompasses four distinct rooms that are given form with Hirschhorn’s signature materials—bashed-in doors, armchairs and sofas covered in tape, electronic devices, cardboard, bookshelves, carefully selected books, neon lights, and other objects made from easily accessible materials. The work is a spatialization of one of Hirschhorn’s plans—“Where do I stand? What do I want?” In this plan, according to Hirschhorn, he asks himself “How can I assume a position? How can I give a form to that position? And how can I, through this form—beyond political, aesthetic, and cultural habits—create truth?”

A work in chaos, as described by the artist, each room of Stand-alone is conceived around a particular topic—love, politics, aesthetics, and philosophy. The walls covered in “news poetry”—text fragments from news magazines that at first glance seemingly appear to be ordinary graffiti—confront viewers, viscerally, with the erratic reality we experience in our present moment. Ideas are placed in dialogue with each other and associations are forged, materially, across space. While the relationship between art and philosophy is at the heart of this work, Hirschhorn thinks of Stand-alone as a piece for a non-exclusive public; a work that does not just address a pre-informed audience. The embodied experience of viewers becomes as important and aims to instigate the same questions in audiences that the artist asks of himself—Where do you stand? What do you want? 

About the Artist.

Thomas Hirschhorn (b. 1957, Switzerland) is best known for his sculptural constructions produced from disposable mass manufactured goods. Hirschhorn gathers together references and imagery culled from popular media alongside the work of radical theorists such as Gilles Deleuze and Georges Bataille. Hirschhorn uses everyday and found materials such as plastic sheeting, cardboard, aluminium, packing tape and magazine images to create a dystopian reality. The process of making remains visible and becomes a metaphor for the individual and collective struggle to establish democracy. Implicated in Hirschhorn's work, viewers are obliged to consume and reflect upon that which they may have hitherto been able to ignore in their daily lives. The disparity between the viewer and the bombardment of blown-up imagery reminds us of how distant and removed we can feel when confronted with such imagery. Hirschhorn has exhibited worldwide and in 2011 was recipient of the 8th Kurt Schwitters Award, Sprengel Museum, Hannover, Germany. In the same year he represented Switzerland at the Venice Biennale. Hirschhorn has been part of important solo and group exhibitions including at the Kunsthalle Bremen, Germany (2015); Palais de Tokyo, Paris, France (2014); MAZ, Zapopan, Jalisco, Mexico (2014); Musée Tinguely, Basel, Switzerland (2013); DIA Art Foundation, Bronx, New York, (2013); Institute Of Modern Art Brisbane, Brisbane, Australia (2013); Mudam Collection, Mudam Luxembourg, Luxembourg (2012); Dia: Chelsea, New York (2012); 54th Venice Biennial, Swiss Pavillion, Venice, Italy (2011); Museum Dhondt-Dhaenens, Deurle, Belgium (2010); The Bijlmer Spinoza-Festival, Amsterdam, Netherlands (2009); El Museo Tamayo Arte Contemporaneo, Mexico (2008); Musée d’Art Contemporain, Québec, Canada (2007); Museu Serralves, Porto, Portugal (2006); Centre Culturel Suisse, Paris, France (2004); Centre Pompidou, Paris (Prix Marcel Duchamp), France (2001). Hirschhorn lives and works in Paris, France.

Press

Oct. 2016 | Enjoy the View | C Magazine

Oct. 4, 2016 | ArtRx LA | Hyperallergic

Oct. 6, 2016 | Datebook: Monuments made of cardboard, the Virgin of Guadalupe’s legacy, the art of alchemy | LA Times

Oct. 13, 2016 | Thomas Hirschhorn en The Mistake Room | Código

Oct. 21, 2016 | Thomas Hirschhorn at The Mistake Room | CARLA

Oct. 21, 2016 | What to see in L.A. galleries: An ode to a black sci-fi trailblazer and Lari Pittman’s Mood Books’ | LA Times

Oct. 26, 2016 | Review: Thomas Hirschhorn | Artillery

Nov. 2, 2016 | Dimensions Variable: Art Installations, Interventions, and Environments to Experience This November 2016 | Mutual Art

Nov. 4, 2016 | The Mistake Room presents Thomas Hirschhorn | Fabrik Media

Dec. 2016 | Thomas Hirschhorn: Stand Alone | ArtReview

Dec. 14, 2016 | Thomas Hirschhorn: Love, Politics, Aesthetics, and Philosophy at The Mistake Room | Art and Cake

Summer 2017 | Books = Yes! | XTRA

Credits

Thomas Hirschhorn: Stand-alone is organized by TMR and curated by Cesar Garcia, TMR Director and Chief Curator, with Hanna Girma, TMR Curatorial Assistant.

TMR's program is made possible with the support of its Board of Directors, Big Mistake Patron Group, International Council, and Contemporary Council.

Major support for this exhibition is provided by the Coppel Collection, Mexico.

Additional support is provided by T38 Studio, New York/Tijuana.

 

Photo Credit: The Mistake Room. Copyright 2016. The Mistake Room Inc.